The
Lauterbrunnen Valley in the Swiss Bernese Alps is what spawned the cheesy Swiss
calendars we’ve all seen in auto repair shops and in doctor’s waiting
rooms. It is the Alps of pancake house
placemats, and collectible porcelain figures that grandmothers are fond
of. But this mountain-lined valley is
the reality behind the cliché. It’s
Helen – the face that launched a thousand ships and sparked the Trojan
Wars. It’s Cleopatra as played by
Elizabeth Taylor – hopelessly, unmatchably beautiful. It’s beauty defined in granite and lush
grasses and towering glaciers.
The
Lauterbrunnen Valley lies above Interlaken, which is a touristy-cute town between
two lakes. To get to the Lauterbrunnen
Valley, you must take a little yellow or orange train to Lauterbrunnen, the
town that lies along the valley floor. From
Lauterbrunnen you can take a cable car up a steep mountain face to a tiny train
station, and catch an even smaller, one-carriage train into Murren, a car-free
village cupped in a cleft in the mountains.
Or from Lauterbrunnen, you can take a little train that grinds its way
straight up the opposite mountain’s face to Wengen, another car-free village
that’s bigger than tiny Murren but still a one-street affair.
Either choice brings
you chin to chin with the big mountains.
Either choice requires that you climb out of the Lauterbrunnen Valley
into the heart of the Alps, which grandfathered the valley a long millennia
ago. The valley winds along at the foot
of the mountains, carved by glaciers that bullied their way through stone. Water trumped rock. The weight of snow, the probing fingers of
ice, the eroding drip, drip, drip of meltwater, the flowing sheets of
waterfalls, made a deep cleft in granite.
The valley was born.
Now it is an emerald
green expanse of fields and trees, farmed in tidy squares and marked with the
red tile-roofed houses of Lauterbrunnen.
Waterfalls fed by glaciers cascade down the sides of the mountains. They have been counted at 72, but there are
arteries of waterfalls and spidery veins of them, too, conveying the life-blood
of water from the glacier-smothered mountain tops. At night, the town of Lauterbrunnen shines a
huge electric light on the biggest waterfall, casting a beam upwards from the
valley floor onto this shimmering sheet of water. We hiked up the side of the mountain and
stood behind the waterfall in a cleft carved out by some enterprising engineers
nearly a hundred years ago. I stood on
the water-slicked gray rock, a shimmer of waterfall flying by my face, both
inside the mountain and clinging to it side, simultaneously.
It’s the mountains,
though, that draw my eye, beyond the cascades of water and green valley and
cute little villages. The big three
tower above at all times: the Eiger, its
faced sheered off by glaciers. On one
side, it’s a pointy mountain. On the
other side, it is a flat surface, one half of its triangular apex surgically
removed by the crushing weight of glaciers.
Beside it is Monch, with jagged edges.
And beside it the mighty Jungfrau.
The mountain top is a half-circle with ragged edges scratching at the
sky. Its concave side, also collapsed by
glaciers, swoops up into a series of points and peaks, as if the force of the
glacier smashing down the side of the mountain caused a new rock formation to
burst out. After the Jungfrau there are
more peaks and serrated tips, massive knobs and cones of stone: a mountain range of grandfathers lining the
valley.
Glaciers lie in the
folds of the mountains. Some look
exactly like what they are: frozen rivers
of snow, caught in a tumble down the mountain in a time-lapse of sub-freezing
temperatures, which have trapped the gurgling liquid movement of river into a
frozen expanse of ice. Rims of snow line
the jagged edges of the very tops of the mountains. The snow hangs off the mountain, a lip of
whiteness stories high. The snow is
frozen motion. Movement arrested in
mid-air.
What makes these
mountains so extraordinary is that they are touchably close. The air is so clear it nearly shimmers. It is the difference between tapwater and
spring water: both are water, but the quality of the two is very
different. Here the air is clear to the
point of near liquidity. Distances are collapsed. You feel like you can reach out, from the
trail or the hotel window alike, reach out and touch the mountains, they feel
so close, so unseparated from the viewing eye.
In the face of this
grandeur, I cannot look away.
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